from the press
As the God of Love, Phillip Bullock travels expertly from airy falsetto to basso profundo depths.
- Zachary Woolfe
Phillip Bullock was appealingly sleazy in his “man-you-love-to-hate” turn as the conjurer Zodzetrick.
His loose limbed, unctuous physical presence was wedded to a
buzzy baritone of substantial ping and presence.
- James Sohre, Opera Today
As the God of Love, Phillip Bullock is a commanding presence.
- Christopher Ballentine, Opera with Opera News
Joining the massed forces, baritone Phillip Bullock sang “Herr, lehre doch mich” with a deep sense of the solemnity of the words and music, his voice remarkably moving.
- Matt Costello
[Dlivering] a strong vocal showing as Derrick, Bullock was particularly compelling in his scene with his mother, his emotional baggage allowed to simmer and develop in their tête à tête.
- David Salazar
Phillip Bullock, a baritone with a striking falsetto, presented the God of Love as evil genius setting the whole thing in motion for his own amusement.
- Mark Swed
Phillip Bullock switched on his rich baritone to produce what was easily
the most commanding performance I’ve heard in this role.
- Richard Ginell
Phillip Bullock made a magnificent, poignant, and meaningful Daniel, carrying spiritual force in the effortlessly solemn but youthfully beautiful timbre of his voice.
- Anne Davenport
